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    <link>http://pucir.inflibnet.ac.in:8080/jspui/handle/123456789/874</link>
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    <pubDate>Sun, 03 May 2026 03:52:44 GMT</pubDate>
    <dc:date>2026-05-03T03:52:44Z</dc:date>
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      <title>JAZZ POETRY OF LANGSTON HUGHES: THE VOICING OF BLACK AMERICA</title>
      <link>http://pucir.inflibnet.ac.in:8080/jspui/handle/123456789/877</link>
      <description>Title: JAZZ POETRY OF LANGSTON HUGHES: THE VOICING OF BLACK AMERICA
Authors: Lalmawizuala, Henry
Abstract: Sascha Feinstein described jazz poetry as, “… any poetry that has been&#xD;
informed by jazz music” (2) while Miriam Zolin in her essay “The Quickening Art of&#xD;
Jazz Poetry” described it as, “A poetry that doesn’t exactly mimic the sounds of jazz,&#xD;
but does incorporate rhythms, repetitions, syncopation and space so that its&#xD;
performance can evoke what jazz evokes” (2). A lot of definitions have stemmed from&#xD;
many critics, scholars, musicians and poets but from all these definitions, it is clear&#xD;
that jazz poetry should ideally contain the following: it should be inspired by the&#xD;
music jazz; it should have the same effect that jazz music has on its audience and the&#xD;
vocal performance should be interwoven to the music.</description>
      <pubDate>Sun, 01 Apr 2018 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://pucir.inflibnet.ac.in:8080/jspui/handle/123456789/877</guid>
      <dc:date>2018-04-01T00:00:00Z</dc:date>
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