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    <title>DSpace Community: Assistant Professor, Bungkawn, Aizawl</title>
    <link>http://pucir.inflibnet.ac.in:8080/jspui/handle/123456789/166</link>
    <description>Assistant Professor, Bungkawn, Aizawl</description>
    <pubDate>Wed, 29 Apr 2026 12:19:25 GMT</pubDate>
    <dc:date>2026-04-29T12:19:25Z</dc:date>
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      <title>Cultural encounters and the negotiations of meanings in select American Protest Songs 1960-2010</title>
      <link>http://pucir.inflibnet.ac.in:8080/jspui/handle/123456789/428</link>
      <description>Title: Cultural encounters and the negotiations of meanings in select American Protest Songs 1960-2010
Authors: Pachuau, Vanlalveni
Abstract: The use of music and song as a medium of human expression has been prevalent&#xD;
throughout history. Music has been used to explore and to give vent to a whole range of&#xD;
emotions, feelings and concerns- from the joyful to the disheartening. Music is therefore, a&#xD;
revelatory medium of not just an individual concern, but that of society as well. Protest music,&#xD;
whether through lyrics, performance or context, gives us an insight into discontent, both personal&#xD;
and societal. Basically, a protest song is a song which is associated with a movement for social&#xD;
change. According to Elizabeth J.Kizer, ―to protest is to verbalize a dissatisfaction with the status&#xD;
quo‖, and as such, a protest song verbalizes discontent, either overtly or covertly and calls for a&#xD;
change or rectification.</description>
      <pubDate>Fri, 01 Jan 2010 00:00:00 GMT</pubDate>
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      <dc:date>2010-01-01T00:00:00Z</dc:date>
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